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For the fifth in our series of interviews the focus turns to David Calow, conductor of the Bardi Wind Orchestra. David was born and educated in Leicestershire, receiving his early musical training from the Leicestershire School of Music and played flute and piccolo in The National Youth Wind Orchestra from 1978-84. David became Music Director and Conductor of the Bardi Wind Orchestra in 1995 and has conducted every concert since. In 2007 he was appointed Associate Conductor of the Rutland Sinfonia and has continued to develop the adventurous concert programming with the orchestra. In January 2015 David was appointed Music Director and Conductor of the Clarendon Park Orchestra, an enthusiastic group of local musicians. As well David’s a wide-ranging interest in classical music, the interview features music from another of his great interests, music theatre. In 1995 he was appointed Music Director of the I.D.O.L.S Operatic Group in Leicester for their Little Theatre production of South Pacific. Over the following ten years he directed shows including Seven Brides for Seven Brothers, Mack and Mabel and Kiss Me Kate.

To hear David’s selected pieces you can pause the video and listen to the music in the Spotify player below. Alternatively, click here to watch the video on YouTube where you can find links to all the pieces in the video description.

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The Bardi Interviews continue as we meet the Orchestra’s Chair Jane Hanson. An enthusiastic member of the first violin section, Jane joined the orchestra on moving to Leicester in 2017 and became Chair of the Orchestra in December 2020. Like many of the Bardi’s players she trained as a professional musician but chose to pursue a career elsewhere. She started in accountancy but more recently has been a Chairman, Non-Executive Director and Audit and Risk Committee Chair in a number of businesses and has over 25 years experience working at Board level in FTSE 100, regulated, typically financial sector organisations. In addition, she is the Honorary Treasurer and a Trustee of the Disasters Emergency Committee, a global humanitarian charity and is also a magistrate. Jane’s playlist choices are wide-ranging and reflective of a lifelong passion for all kinds of music. 

To hear Jane’s selected pieces you can pause the video and listen to the music in the Spotify player below. Alternatively, click here to watch the video on YouTube where you can find links to all the pieces in the video description.

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For the third of our Bardi Interviews the spotlight is turned on our Orchestra Manager Robert Calow. Lynchpin of the orchestra’s activities, and well-known in Leicester and Leicestershire music circles, Robert received his early musical training on the Clarinet at the Leicestershire School of Music and then with the National Youth Wind Orchestra from 1978-84. He joined the Bardi Symphony Orchestra in 1988 and is also in great demand playing with several local orchestras including the Rutland Sinfonia, Knighton Chamber Orchestra and the wind ensemble Musicamici. In 1992 Robert, together with his brother David, founded the Bardi Wind Orchestra. He has held the post of Orchestra Manager of both ensembles for over 30 years. John Florance discussed his life, career and wide-ranging musical tastes from Wagner and Elgar to 1960’s TV themes and Rick Wakeman!

To hear Robert’s selected pieces you can pause the video and listen to the music in the Spotify player below. Alternatively, click here to watch the video on YouTube where you can find links to all the pieces in the video description.

You can view Robert’s final selection, the Elgar excerpt, by clicking here.

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In the second of The Bardi Interviews, John Florance talks to orchestra Leader Adam Summerhayes. They discuss his career in music from his days playing with the Leicestershire Schools Symphony Orchestra, through the Guildhall School of Music and conducting his own chamber orchestra in London to his travels around the world with the acclaimed baroque instrumental group ‘Red Priest’ who are noted for their flamboyant theatrical and virtuosic style. In a wide ranging discussion we learn how Adam came to take up the violin at an early age being taught by his grandfather, that he is not a player to be pigeonholed into a specific style of music and that his real love is the violin itself. His affection for the Bardi Symphony Orchestra, which he has led for many years, comes through very clearly and his choices of music are, as might be expected, eclectic and fascinating.

To hear Adam’s selected pieces you can pause the video and listen to the music in the Spotify player below. Alternatively, click here to watch the video on YouTube where you can find links to all the pieces in the video description.

8. Adam’s eighth musical choice is available on YouTube here: To The Nightingale – Words of a Fiddler’s Daughter

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